A small studio building 360° tours, photogrammetry, VR films, and 3D wayfinding for clients who care less about volume and more about what the viewer actually takes away.
Six disciplines, one studio. Each one earns its place because we keep using it on real briefs — not because it sounded good on a capabilities deck.
Step into a factory floor, a college quad, or a showroom without booking a flight. We build tours that hold up on a kiosk, a phone, and a corporate Wi-Fi.
Turn a real object — machine, sculpture, equipment — into a measurable 3D model. Useful when "more or less the right shape" isn't good enough.
Directed, paced, scored. We treat VR like a film the viewer happens to be standing inside — not like stitched footage with a headset bolted on.
Large buildings tend to confuse first-time visitors. We make interactive maps that turn a campus, hospital, or plant into something a stranger can actually navigate.
The right camera, the right rig, the right kiosk — chosen for the brief, not because we already own it. Sometimes the hardware is the project.
Beautiful imagery dies fast inside a clunky interface. We design the layer your audience actually touches — quietly, so it gets out of the way.
The instrument matters. So does the eye behind it.
Better imaging is almost never about more equipment. It's about choosing the right tool, holding it steady, and knowing what you're actually looking at — what the client needs the viewer to walk away understanding.
So every brief starts as a perception problem before it becomes a production one. Where should the eye land first? What should stay quiet? How does a first-time visitor read a space they've never set foot in?
The output is technical and crafted at the same time — engineered enough to be reliable, considered enough to be worth looking twice at.
A few live examples of the kinds of experiences we build — 360° tours, photogrammetric scans, and indoor wayfinding. Open one and move around inside.
Walk-through panoramas, 360° video, drone aerials and underwater footage of a beachfront villa in Zanzibar. Real photography, stitched into an immersive tour. Reference example from 3DVista.
3D model of Uplistsikhe (Georgia) linked with on-site panoramas — fly-over mode plus ground-level views. Reference example from 3DVista.
Live 3D wayfinding for a multi-tenant venue. Search a destination, switch floors, get a route. Reference example built on Mappedin.
National Geographic's Lions 360° — wildlife filmmaking shot in immersive 360°. Drag with your mouse or move your phone to look anywhere within the scene. Reference example.
These are public reference projects — not VKSTUDIO work. They illustrate the format and feel of what we build for our own clients.
VKSTUDIO is what happens when an economics graduate gets obsessed with how spaces are seen. Founded by an enthusiast in 2014, the studio has spent a decade quietly making imaging that earns its weight — for a small number of clients, one project at a time.
We do not chase volume. A factory floor mapped well is more interesting to us than ten mapped quickly. The work we keep coming back to lives at the seam between engineering precision and the patience of looking properly — and the clients we keep are the ones who notice that distinction.
What lands in front of you — a 360° tour, a kiosk, a VR film — is the visible part. The harder part is upstream: what is the viewer meant to understand, where should their eye go first, what should be quiet. Some of that instinct comes from a long-running interest in contemplative philosophy. Most of it just shows up as the habit of paying attention.
We work from Telangana, and on assignments across India. Most of what we make sits under NDA — happy to share samples and case studies privately when there's a brief worth discussing.
Ten years in, the client list still fits on one page — and that's by design. From bottling plants to heritage colleges, we sign up for fewer briefs than most studios our size, and stay involved longer than most studios twice it.
It was easy to work with VKSTUDIO. They quoted the best prices and delivered more than expected — flexible, attentive, on time. The virtual tour helped us digitally document a production line and surface its information through a kiosk.
Great professionals. Mapping our manufacturing unit with them was smooth and the final product was outstanding — no hassle, flexible, with a keen eye on results. Their digital mapping has helped us move onboarding online.
I am happy to testify to the quality of this young man's work. He listens attentively to your requirements — and can take your ideas and improve them creatively. Worth engaging with and paying attention to.
Three lines about what you're trying to do is enough to start a conversation. We read every note and reply within two working days — usually much sooner.